Patchwork Fan Potholder

March 15, 2022March 11, 2022 VintageJenny

Completed 1940s fan patchwork potholder. Brown fabric forms the bottom half of each fan blade and a brown and yellow batik fabric forms the top. It hangs upside down from a fabric loop against a gray brick wall.

Redecorating a room is a fun and exciting project. You pick out the paint, the furnishings, the floor cover. Then you set to work. But what if you have no money for a major remodel? In the 1930s and 40s, few had the spare funds for complete overhauls each year or two as the fashion changed. However, fabric gave homeowners one easy way to redecorate. In the kitchen nothing gave as much versatility as the humble potholder. Today we explore one possibility with the patchwork fan potholder.

During the Depression and for years afterward, crafters reveled in using every scrap of material so nothing went to waste. Little scraps of fabric became appliqué decorations on curtains, tablecloths, and dinner or luncheon napkins. Or they might find their way onto the corner of an apron or a handkerchief. Some scraps became part of that larger mosaic we call patchwork.

Illustration of 1940s patchwork fan potholders showing the two pattern pieces and two finished fans. — This is the majority of the instructions for this project.

In the Thirties and Forties, needleworkers loved to make potholders. These were also known as pan holders. Potholders made great pickup work. This means that the worker could grab the project, or pick it up, during spare moments through the day or week. In fact, I finished the trim on this one while I was waiting for the morning coffee to reach a boil in the percolator.

Use the Cotton

When you make potholders, the fabric must be 100% cotton or you risk injuring yourself or someone else. Likewise, the lining needs to be 100% cotton batting, thick fabric layers, or a layer or two of Insul-Bright insulated batting. You can find it on Amazon here, if you don’t have access to it locally. These projects were designed for workers to use what they had on hand, without going to any extra expense. They were truly scrap projects.

It’s also a good idea to prewash your fabrics before you use them. Everything I used was a leftover from some other project, so it was all prewashed. You can see the strings on the dark brown fabric from being tumbled around a hot dryer. Potholders eventually end up in the laundry, and you don’t want yours to shrink.

Pair them up

Usually potholders appeared in pairs. With a pattern like today’s patchwork fan potholder, two fabrics usually switched places in the design. You can see that in the red pattern sketch, which dates from the 1940s. The polka-dotted fan plumes of one potholder become the ribs of the other.

This is a pattern I’ve had for a long time and always wanted to try. It was part of a stash from my husband’s grandmother. The pattern took up a tiny section of a large transfer sheet of embroidery patterns, and it caught my eye the first time I saw it.

I happened to have some tiny scraps of brown and batik that would work great together, so that’s what I used. First, I traced the pattern from the sheet. Usually these large sheets were designed to be cut. Then they were placed design side down onto fabric and ironed.

However, the way this pattern was placed makes it obvious that it was a trace-to-use pattern, even though nothing says that. The pieces overlap enough that cutting each one out to use them would be impossible.

The Instructions

The original instructions for this project included the red and white illustration above, plus these terse commands:

These fan shaped pan holders can be made from any scraps of fabric you have available.
Piece, pad, bind, and quilt.

That was it. Beyond that you’re on your own. So I thought I’d make one and give an idea how it goes together.

You can see from the sketch that the potholder is supposed to use six fan pieces. Well, I can’t count, apparently, because I cut and used seven. First I hand-sewed the two pieces of each fan blade together.

Each blade is sewn together on the diagonal in the middle, like the photo below. Sew right sides together and then press the seam toward the wide end.

Once all the pieces were assembled, I sewed them side by side and found another scrap of fabric to use as a backing.

Patchwork fan potholder in two shades of brown, lying on a brown piece of fabric that will serve as the backing. — Yep. Just big enough to use as a backing piece.

I cut around the fan and used the backing piece as a pattern to cut the lining.

Finishing Up

I sandwiched the three pieces together, and ran a stitch 3/8″ from the edge around all the edges. I used a sewing machine for this part, although you could easily do it by hand.

Then, because terry cloth tends to move while it’s squashed between two pieces of fabric, I had some edges to neaten before attaching the bias binding.

I made the binding myself from another scrap of brown fabric that I cut into 1 1/4″ diagonal strips and then sewed together. First I pinned the bias tape to the front of the fan and then sewed around it using a 1/4″ seam allowance. I started at the fan’s point. That way I could end there with a loop of extra bias tape that I then secured to the back of the fan with a few solid stitches.

Once the bias tape was attached to the front, I turned it over. Folding the tape over the raw edge, I sewed it down by hand all around the edge of the fan. This is what I did while the coffee brewed. When I got back to my starting point I cut off the bias tape, leaving a couple inches on the end. I turned under a little bit at the very end, and then folded it together and whipped the long open edges to make it a tube. Then I bent it into a loop and sewed the end onto the back of the fan at the point.

This makes its own hanging loop so I don’t have to hunt for crochet thread or a wooden ring.

Finally, I hand quilted all three layers together. Of course, you could use a sewing machine for any or all of this.

Now You Make One!

Here’s a copy of the pattern so that you can make yourself a pair of fan potholders (or pan holders, as you prefer.) I traced the pattern onto one 8.5 x 11 inch sheet of paper, and it took about half of it. This is not a large pattern.

Pattern pieces for a 1940s patchwork fan potholder. — The two pattern pieces for the fan potholder

I’ll dig out the fabric scraps I have left from this project and make another potholder to coordinate with the first one. I really enjoyed making this little patchwork fan potholder and I hope you make one or two to add a bit of Forties Flair to your kitchen.

Decorations and Decor · The Creative Corner

Your Surprise Gift

March 8, 2022March 7, 2022 VintageJenny

Felt gladiolus flower, pink with yellow stamens. Made as a corsage. — The kit includes everything you need to make this gladiolus. Well, almost.

Your surprise gift is enclosed. Mail order companies of the 1920s, 30s and 40s often enticed their readership with promises of free, surprise gifts should they order. Some companies spelled out what the customer would receive: Order our new fabric, and receive three skeins of our best embroidery floss, free — or whatever they could throw in to sweeten the deal. When the package came, it arrived in an envelope emblazoned with: Your surprise gift is enclosed!

Often a company selected them on receiving the answer to a question. What is your favorite color? What is your birth month? August was the birthday of the person who possessed the gladiolus gift. It was easy enough to create a dozen different flower kits, one for each month of the year. That way, if your neighbor did business with the company as well, the chance was slim that you would end up with the same kit. Plus, it looked as if the organization actually cared, and less like what it was — a marketing tool to snag more orders.

Flowers in the Mail

In my stash of patterns, I have three of these gifts. All from the same company. All from the 1940s. And all of them unmade. Two sets were for lapel pins, which I hope to cover later. The third was for the gladiolus corsage you see at the top of this post. The original contents appear below.

Flower kit from the 1940s consisting of a paper pattern, instructions, and three tiny pieces of felt in pink, green, and yellow. — The original kit as received.

This was all packed very neatly in a glassine envelope. I wondered why it was never completed, and why it was saved. Could this have been from someone who wanted to do it on a rainy day? Or perhaps a person who saved everything? I’ll never know.

The project looked easy enough, so I thought I’d give it a try. You can see my result in the top photo. I used my own felt, not the pieces from the kit.

After about an hour struggling to put this thing together, something became very clear. Neither the person who designed this nor anyone on the company’s staff ever tried to put this together. The instructions simply did not work. It was a tiny sketch of a finished piece, some pattern pieces, and nothing more.

Missing a Few Things

As you can see, I did manage to finish the thing, but not without some frustration. Your Surprise Gift may have contained a cute pattern and some felt, but it was missing some very key ingredients to be called a project. To finish this, you need:

the pattern
three small pieces of felt

So far, so good. I had those. But reading the instructions, I also need:

thin wire or floral wire
green embroidery thread
green sewing thread for tying (which I did not have handy. You can see the light blue thread in the photo.)
pin back for making it into a corsage, or magnet for sticking it onto the fridge.

I’m still not sure any of the felt pieces were large enough for the project except the yellow piece. I had a larger piece of pink felt, almost twice the size of the piece in the photo, and I used over half of it. You can see my traced pattern pieces on the original kit pieces below.

You’re supposed to get six leaves from this piece of pink felt.

I don’t know that any amount of geometry would have gotten six leaves of various sizes plus the bud piece you see on the green felt from that little piece of pink. Four? Sure. I could get four. But not six. And the flower needs six pieces to make a gladiolus.

Creating the Spray

I was beginning to see why these kits were never completed. Then I started to put it together. That’s where the real fun begins. The instructions read: This is your surprise gift. Make a gladiolus spray – August. So far, so good. I’m going to create a gladiolus spray. That will be pretty as a corsage on my jacket. I’ve included the original instructions in bold, and my comments follow as I attempt to assemble the flower.

Cut six petals of varying sizes as given here, a bud and another bud piece of green. Nowhere does the instruction sheet say what sizes to cut the petals, only that I need six. After peering at Internet images of gladioli, I decided that I needed one large, two medium, and three small petals to make a gladiolus.

Make long yellow stamens by slashing the yellow felt. That was simple enough. I cut my small yellow square into a fringe and rolled it up.

Arrange petals around these and tie tightly with green thread. This proved to be more difficult than it seemed. First, the instructions do not tell you how to arrange the petals. I guessed from looking at photos of flowers. Second, the petals do not simply arrange. I had to construct the flower one layer at a time, tying each layer as I went. Here is a photo of the first layer. I put two medium and one small petal around the yellow center and tied it around the bottom of the petals.

For the second layer, I placed the large petal between the two medium ones, and finished the row with two small petals in between the petals in the previous layer. You can see how it turned out in the top photo.

And It All Goes Downhill From Here…

The green bud portion is folded over the pink bud, which has been rolled tightly. And this is where everything started to fall apart. The pink bud did not roll tightly, in any fashion. The only way it would have rolled is if I sewed it in place, and I was attempting to follow the directions as they were written. I finally got some semblance of the two layers together, which you can see in the top photo. They’re held together with some kind of Viking stronghold lacing and now they are afraid to move.

This is fastened to a short wire stem and wrapped with green floss. How short? What kind of wire? This is the first time wire appears in the instructions. I have some floral wire, and some a bit thinner than that, so I grab a length and snip off about four inches. I stick the end into the bottom of the finished bud and wrap about two and a half inches of it with green embroidery floss. A knot around the wire finishes off the wrapping near the bottom of the wire.

Attaching the Flower to a Wire

A flower is to be fastened on stem next — wrapping with floss as you go. This is all well and good. Do I fasten it to the wire I already started? Um… nope. No way to affix it to the wire at all. So I need a new wire. Got it. I cut a wire about eight inches and stuck it in the bottom of the flower. Then I started to wrap the wire with the green floss. And… it didn’t work. It bunched. It jumped. The bottom of the flower had no sloped edges to help it hold onto the wire. The green floss refused to wrap smoothly onto the wire. Along the way the outer layer of the petals started to fall off.

Along the way, the flower fell off the wire. Nowhere in the instructions did it tell me to attach it to the wire in any concrete way. I put the flower back onto the wire, and pushed it all the way through until it came through the yellow center. Then I bent the top of the wire into a small hook, and pulled it back down. Voilá! The wire stayed where it needed to stay.

Actually, only working with the inner layer of petals proved much easier. I attached the outer layer one petal at a time as I wound the green floss around the wire. A bit below the main flower, I added in the bud and continued to wrap with the floss.

Finishing the Stem

I wound the floss until about an inch and a half from the bottom of the wire. Then I bent the wire in a U, held the top against the stem, and wound the stem again. This time I caught the bare wire against the stem, finishing it off and making a finished end of stem at the same time.

Last, a long, slender leaf may be cut, pointing the tip. Fasten over stem and wind in to hold. There is no pattern for this leaf. In addition, the original green felt was far too small for a long, slender leaf. Putting reality aside, I cut a leaf from my own felt. Holding it against the stem I continued to wind upward until it was securely attached to the stem. Then I tied a nice solid knot to finish it off. I’ll work in the end of the thread later.

Your Surprise Gift

All in all, Your Surprise Gift wasn’t all it was promised to be. If the instructions were more clear, the project would be simpler to do. If all the pattern pieces had been included (I’m looking at you, Long Slender Leaf), that would be good, too. And if anyone at the company had bothered to try to make this before sending it out, that would have been excellent.

Another option would be to take the pattern as written and make the flower in crepe paper. It would be easy to do and probably turn out splendid. In fact, this whole project may have started as a crepe paper idea that was (sadly) transferred to felt.

I’m glad that I gave the project a try, but I certainly understand why so many Your Surprise Gift packages remain unmade. It would only take one for me to swear off them forever.

If you would like to try to make your own gladiolus, let me know how you get along. Below is a copy of the instructions and pattern along with a measurement. The page is 8.5 inches wide and about 2.75 inches high. Instructions were probably printed four to a page and cut apart for mailing.

Here’s a copy of the instructions with measurements.

And here’s a copy you can print.

1940s pattern for a flower made from felt. — Pattern for gladiolus. Prints 8.5 inches wide.

If you enjoy working with felt, you might also like these Spring Bookmarks.

Decorations and Decor · Parties and Visits · The Creative Corner

Make Your Porch a Summer Room

June 17, 2021May 27, 2021 VintageJenny

Illustration of a summer room front porch with a porch swing, rug, two chairs, and a small side table with a table lamp, reading books, and a plant. — Inviting furniture, outdoor lamps, and a few good books make a popular warm weather spot.

Doesn’t this scene make you want to curl up with a good book or that project you’ve been hoping to start? This is a perfect illustration of a porch used as a summer room. Before air conditioned houses and apartments people moved outdoors in warm weather. Houses were hot, and people needed alternatives.

Not only were houses hot, but they could also seem claustrophobic in warm weather. The very house that seemed so cozy during the wintertime might feel oppressive during the hot summer months. Changing curtains and pillows from winter to summer fabrics helped. The best result, however, came from moving meals and entertainment to a whole new area.

Living and dining outdoors

The porch became the summer living room, and sometimes the warm weather dining room as well. Breakfasting on the porch could be delightful in the right weather, not to mention weekend luncheons and weekday dinners.

Black and white photo of a wooden table and chairs on a tile outdoor patio floor. A light hangs from the ceiling and an open arch leads outdoors. — A small but effective outdoor eating area.

A visitor who stopped on a nice day rarely made it into the house during the summer months. The hostess didn’t lack in hospitality or manners. She entertained in the most inviting area possible. Drinks and snacks made their way from the household kitchen to the front porch for relaxed, breezy socializing.

A porch with screens fitted to porch openings was ideal, but not everyone had those. Usually the porch had some kind of roof or covering. You see that in all the examples shown here. To be cool, an outdoor oasis needed to be out of the sun. Even a good awning could provide that at the right time of day.

Inside of an enclosed front porch of a 1920s home. Two large windows to the left sit above two chairs and a small table. In the middle of the room a table for four sits. The table is decorated with a flower arrangement. — An enclosed porch offers space to get away and relax.

Furnishing the outdoor space

All rooms need furnishings and the outdoor summer room was no exception. Furniture included comfortable chairs, couches, and a small but sturdy occasional table. Sometimes the table was made of wicker, while other times one of painted wood took its place as book and lamp-holder. Even if the porch included a ceiling light in the center, a table lamp or two gave a nice touch of comfort to the outdoor room. (Be sure to keep it unplugged when not in use if it’s outdoors. Summer storms can be quick and violent, as we all know.)

An indoor/outdoor mat or rug often found its way to the porch for the summertime as well. It helped to contain dirt tracked from the street and made the area look a bit more homey.

Fabrics used for porch cushions and pillows needed to withstand the season’s changing weather then as they do now. Today you can purchase beautiful pads for outdoor furniture, or make your own from a fabric like Sunbrella. Fabrics of the Twenties included stripes in greens and browns, heavy denim weave fabrics in colors other than denim blue, and bright plastic-like oilcloth.

Porch decorated with wicker couch, two chairs, and two small tables. Trees and foliage appear in the background. — Festive stripes and wicker furniture decorate this porch room.

Most of all, the colors of a porch decorating scheme were bright and inviting. Small spots of red, yellow, and black might offer a welcome contrast to more cooling colors like greens, blues, lavenders, or grays. A red and gray pillow on a gray chair, for instance, is very vintage. And quite welcoming.

Take a look at your own outdoor space and see how it can become a vintage-style living room. If you want something to serve your first porch guests, you’ll find these Sweet and Savory Sandwiches quick to fix and easy to serve.

Decorations and Decor · The Creative Corner · Vintage Needlework

Make Spring Felt Bookmarks

April 13, 2021April 10, 2021 VintageJenny

Whether you need a quick 1950s party favor, a pretty placeholder for your reading material, or you need a rainy day craft project, these 1950s spring-themed felt bookmarks solve your problem. All you need is a tiny bit of felt, a needle and embroidery thread, some yarn, and a crochet hook.

Spring felt bookmarks. A tulip in a vase, two butterflies, and two brown-eyed susans. — Make some happy spring bookmarks from felt

I love working with felt. It doesn’t fray, it comes in bright colors, and a little bit goes a long way. One 9 x 12 inch sheet of felt makes several small things, which is really nice if you want a party favor or something small to include in mailed greeting cards. Choose one design, pick a couple colors, and make a bunch of them. Or dive in, purchase an assortment of coordinated felt pieces, and have a blast making all the felt things.

Two spring felt bookmarks, one with two strawberries and one with two plums. The felt pieces are attached to a length of green yarn. — And even more happy spring bookmarks. All made from felt and yarn.

To show off this pattern, I made one of each design. My favorites while I was making them were the strawberries and the plums. Once complete, however, I like the butterflies and the tulips the best. I followed the directions, using two strands of yarn (DK/sport weight) for the butterflies and one strand of the same weight for the fruit. If I were making this again I would use two strands for the fruit as well. (You can do this from one small ball of yarn by finding both ends and pulling from them at the same time to make your two strands.)

Let’s Talk Felt

Two butterfly shapes, two strawberry shapes, and two plum shapes cut from felt. — This is 2 mm thick felt. Not your general cheap flimsy craft felt.

Now let’s talk about felt. When you start to replicate older patterns and you use the felt you pick up at the craft store, it seems thin. It flops. It drapes over your hand. This is not sturdy felt. You can use it to make things, but your projects won’t turn out as well as they could.

Why? Because the felt of 1920-1960 was different. For one thing, it was made from wool. If it wasn’t made from wool, it was made from high quality rayon fibers, a blend of wool and rayon, or even cotton. What it wasn’t made from: acrylic or polyester.

Today’s craft felt is thin, wimpy, and made from acrylic or polyester. It does not hold a shape well, it’s difficult to work with, and sometimes you can even see through it! That is not the felt you need for a retro project. Using this quality felt for a 40’s or 50’s craft project, unless you double it for every piece, will end in disappointment.

Buying the Thick Stuff

If you want to make spring felt bookmarks, it needs old-style felt. For a retro project like this you need 2 mm craft felt. It can be a wool blend if you like. But fear not. If a wool allergy plagues you, 2mm felt is available in 100% polyester and it works great for projects like these. That’s what I used.

I found my polyester crafty felt at local craft shops like Michaels and Hobby Lobby. It will either be marked 2mm felt or it may be marked Premium or Heavy Duty. This felt holds its shape well, proves easy to cut, and is all-around a delight to work with. It only has two drawbacks. First, it costs a bit more than regular wimpy transparent craft felt. Second, and probably more important, it comes in a very limited color range.

Note: If you are making layered crafting projects, such as stuffed felt ornaments for the holidays, then 1mm 100% wool works beautifully. Most retro or vintage projects, however, require a stiffer felt.

If you have a particular project in mind, this is when you hop on the Internet and do some online shopping. Take a look at Living Felt, The Felt Pod, Weir Crafts, or My Felt Lady in the UK. Felt and Craft sells a wool blend felt with wool and rayon. Most of these listed sell felt with various thickness from 1mm – 3mm. I haven’t tried any of them, but I placed an order with Weir Crafts to try their felt. If you prefer Amazon, many of these felts can be purchased via Amazon as well.

On to the Projects…

Was all that necessary? Yes, if you want a nice project when you’re finished. I spent years playing with felt, and general crafting felt gets lighter and more flimsy each and every year. In order to continue enjoying the craft I needed to do some research and make a change. Actually, the impetus for this came by an unusual find.

While leafing through old magazines and patterns one day, I came upon an envelope addressed to my husband’s grandmother. This envelope arrived at her house sometime in the mid to late 1940s. On the front someone had penciled the word green. Opening it, I found a genuine 1940s piece of felt and a small pattern. The felt was in fern/avocado green.

And this felt felt different. It had body. Substance. In fact, it felt quite stiff, even after 70 years in the envelope. I could imagine myself cutting this and using it for the included lapel pin pattern. That’s when I realized that the felt of yesteryear was not the felt we are buying today. Decent felt is more expensive, but it lasts so long when used for tiny vintage projects that the cost evaporates over time. Making ten small projects from an 8 x 10-inch piece of all wool felt takes the $4.00 cost down to $0.40 per project, more than reasonable as a crafting cost.

You Will Need

One of the great things about these vintage patterns is that you don’t need to purchase Color Number 783.5 of anything in order to complete a project. These designs were often brand independent, and they were definitely color independent. If you have embroidery floss that will work, use it. If you want to make the plums and all you have is light purple felt, go for it. That’s all I had and mine turned out great. If you want yellow strawberries because you have yellow felt and no red felt, make yellow strawberries. Part of the artistry included choosing your own colors for your makes. You can make spring felt bookmarks with whatever you have on hand, or what you can easily get.

Felt in green, yellow, purple, red, brown, and any color you like for the butterflies, tulip, and tulip pot.
Embroidery thread in white, yellow, brown, green. I used colors from a handful of generic six-strand embroidery thread I found lying around. I used two strands for embroidery and one strand for sewing. Be gentle; embroidery thread can break if you pull too hard.
Yarn. I used sport/DK weight that I had, in green. For the butterflies I used pink and purple to match them.
A crochet hook to match your yarn weight, either 3.5 or 4 mm. If you can’t crochet, cut three strands and make a braid. Works just as well.
Scissors
Pencil, pins, or thin sewing needle to pin your pattern down
The printed pattern

How to Make Them

Drawing with shapes to make spring felt bookmarks. — Pattern for spring felt bookmarks.

This project comes from a public domain 1950s craft magazine. Options include a potted tulip, butterflies, strawberries, plums, and brown-eyed susans. Here’s how to do it:

Print the pattern. You may need to enlarge it so that it measures about 5 inches by 8 inches.
Cut out the pattern pieces. You’ll notice that each piece is marked with the number of pieces you need to cut from each pattern.

The Tulip

Pieces for a tulip bookmark: yellow flower, stem, and blue pot all cut from felt. — Tulip bookmark pieces, cut and ready to go.

For the tulip, cut the tulip flower, the stem piece from green, and the flower pot.
Cut a contrasting band to fit across the flowerpot stripe.
Stitch the band to the front of the pot.
Attach the tulip to the top of the stem and the pot to the bottom, under the leaves.

The Brown-Eyed Susans

Felt pieces cut into yellow stars with eight points, smaller brown circles on top, and a green stem. These will make a flower bookmark. — Brown-eyed Susan parts, ready to make into a bookmark.

Cut a 1.4-inch straight strip of green felt. Make it about eight inches long.
Cut two yellow flower pieces.
Cut two brown circle centers.
Embroider the faces on the centers with yellow floss. For most of the face I used a feather stitch. This is like a laisy daisy stitch, but open instead of closed at the top.
Sew the brown centers to the yellow flowers with small stitches in brown embroidery thread.

The Butterflies

To make the butterflies, cut two butterflies and contrasting spots. You can see from the photo that I used pink and purple, cutting the pink butterfly’s spots from the purple felt and vice versa.
Use two different colored strands of yarn to crochet a chain long enough that the butterflies will hang outside a book when closed. I used pink and purple to match my butterflies. [If you can’t crochet, then cut three strands of each color about 18 inches long. Place a knot about 1.5 inches from the end, and braid. Use one strand of each color in your 3-strand braid. When you reach the desired length, knot the end of the braid and cut off the excess about 1.5 inches from the end.]
Knot both ends of your chain [or braid]. The loose ends form your butterfly’s antennae.
Sew the chain along the middle of each butterfly. If you use a crocheted chain, notice that I sewed it upside down so that it looks like a braid. The backside of the crochet chain is seen; the front of the crochet (the loops) are facing the back of the bookmark.

The Strawberries

Cut two strawberries from red.
Use yellow embroidery thread to embroider the seeds along the berry. I didn’t bother to trace this, but simply did it by freehand. These are open laisy daisy stitches.
Crochet a chain to form the middle of the bookmark from green yarn. I made mine about ten inches. Again, you can cut three strands and braid them. No one will ever know.
Overlap the berry about 1/2 inch onto the chain, with the berry on top. Turn it over and sew the yarn onto the back of the berry. Repeat for the other side.
For the strawberry stem, use green yarn and embroider three laisy daisy stitches along the top of the berry. Then make two yarn loops sticking up to show the rest of the stem.

The Plums

Cut the two round plum pieces from purple felt.
Crochet a chain to form the middle of the bookmark using green yarn. I made mine about ten inches. Again, you can cut three strands and braid them.
Sew a plum to each end of the chain as you did for the strawberries.
Use green thread or green yarn to embroider laisy daisy leaves on the top. I used embroidery thread; you use whatever you like.

Decorations and Decor · The Creative Corner · Vintage Sewing

5 Vintage Craft Hacks

March 23, 2021March 20, 2021 VintageJenny

Some hints from yesterday age like old milk. Others stand the test of time. Even if a few details need to change to fit into our lifestyles today, the basic information in these hints remains useful. Use these 5 vintage craft hacks to make your life easier. All these hints are curated from my vintage collection.

1. Suitcase Sewing Room or Hobby Holder

For somone living in a small apartment or living space, an inexpensive Japanese suitcase makes an excellent substitute for a sewing room. The bag (or elasticised pocket) inside the cover provides a splendid place to keep patterns, scraps of cloth, and so on. The case itself holds the sewing. A pincushion can be attached to the side. A box holds thread, scissors, thimble, chalk, tape measure and pencil. Such a suitcase looks neater than a cardboard box or open bin, is more durable, and easily carried about or kept beside the machine.

Old suitcase that dates from circa 1920 and was made in Japan. Image for 5 Vintage Craft Hacks blog post. — Japanese suitcase from 1920s. Photo by unknown photographer from shuttered etsy store. Retrieved from Pinterest.

The Japanese suitcase was simple, inexpensive, and extremely useful for short trips or household organization. Of course, this will work for any portable hobby. Do you like quilling, a form of paper craft? Interested in Chinese brush painting? A case like this keeps your supplies together. Many hobby stores sell comparable containers that add both organization and atmosphere to a small home space. If your interior decoration tends more towards the Forties, Fifties, or Sixties, a vintage suitcase works well there, too.

2. Counting While Knitting or Crocheting

Many needleworkers knit, crochet, or tat lace while talking with family or visitors. Or they watch a movie or television series while making progress on that new afghan or sweater. If the worker pays too close attention to the conversation or the show, mistakes work their way into the design.

Here’s a trick which helps with mistakes due to conversation or an engrossing movie. If you are knitting, say, eight stitches, count them backward. Eight, seven, six, five, and so on. When you reach one you know you knitted to the end of that count without needing to keep any particular number in mind. So if making shells in crochet, count: 5, 4, 3, 2, 1 double crochet stitches, and that shell is done.

3. Store That Afghan or Blanket Away

Some things are better when they are hidden in this 1920s vintage craft hack. Perhaps you keep a fleece blanket or light afghan on your sofa or comfy chair. It’s not a current color, the thing doesn’t match your decorating scheme, but you love it. Its warmness, snuggly factor, and comfortableness brings a smile to your face every time you pick it up.

Make a simple square sofa pillow cover. It can zip, button on the back, or fold over. Look here to find instructions for a simple folding envelope pillow cover. If you want to be fancy, add buttons to the back to keep it more secure.

Then fold up your beloved blankie and slip it into the cover until you need it the next time. Voilá! Now you have a new decorator item and the blanket remains well within reach for those days when you find the air a little chilly.

4. Do You Carry a Handkerchief?

…and wear woven fabric blouses? Whether cotton or silk or linen, old clothing can be put to good use. When their time is over as tops, cut them down into individual handkerchiefs. From a button-down blouse with no darts you can get one from each front side, and two or more from the back, depending upon the cut of the material. You may even be able to cut one from each sleeve. You just scored half a dozen handkerchiefs for the time it takes to cut and hem them.

Roll the hems and sew them by hand. Make a pretty finish by overcasting the rolled hems in two directions to give the appearance of cross stitch. Then embroider a flower or emblem in the corner. If you prefer, use a sewing machine for a 1/8-inch hem. The corner embroidery really livens up the handkerchief and makes it a joy to use.

If you crochet or tat, you can always add a lacy border to the hems and for the price of your decorations you have a one of a kind, artisan vintage handkerchief. This is one of the vintage craft hacks I’ve used for years and it gives new life to old fabric.

5. Paper Reed for Basketwork

After World War I, basket making reed became expensive for home basket makers. One basket maker began using the brown paper that was used for wrapping packages. Brown paper grocery bags would work as well. Cut the brown paper into 2-inch strips for a large basket. For a small basket made with finer reed, cut the paper into 1-inch strips. Dip the strips into water and then twist them. When dry and stained with a coat of shellac, it’s strong enough to weave with and more artistic than imported basket reed.

This technique continues to be used today. Not too long ago, in 2019, one of the shops sold baskets made from twisted newspaper strips. Periodically you can also find baskets in the stores made from twisted paper strips, which is what this describes.

While all of these vintage craft hacks might not appeal to you, I hope that one or more sparks your creativity today.