The Vintage Bookshelf · Vintage Entertainment

Among English Hedgerows Travelogue

A boy with a basket stands in the middle of the street in an English village. Next to him is a full cart of groceries and bags. Circa 1900, photo by Clifton Johnson.
A grocery boy stands with his cart, circa 1900.

This month I took a break from fiction and decided to dive into a book I’d heard about but never read. Among English Hedgerows, by Clifton Johnson, is a turn-of-the-century travelogue of the British byways. When I say turn of the century, I mean 1900. This book first saw publication in 1899, but it was republished through 1925 and perhaps beyond.

Clifton Johnson – Photographer, Writer, Artist

Cover of Among English Hedgerows, a travelogue by Clifton Johnson. Book is a faded green with red text and a simple red border.
Clifton Johnson wrote and provided the photography for Among English Hedgerows.

Its author, Clifton Johnson, was a photographer, writer, and illustrator. He wrote, edited, or illustrated more than 125 books in his lifetime, covering everything from children’s stories and folk tales to travel. Johnson was interested in people and their stories, and this is what shines through in the travelogue Among English Hedgerows. You meet the people he met along the way, and hear their stories.

To enhance the text, Johnson provides his own photography or illustrations. Among English Hedgerows includes only photographs scattered among his stories, but sometimes he included illustrations as well. Many of the chapters stand alone because they were first published in magazines like The New England Magazine, The Congregationalist, and The Outlook.

An old man sits reading the newspaper in an English cottage, next to a window with flowers growing in pots on the windowsill. Photo circa 1900 by Clifton Johnson.
A pensioner that Johnson met on his travels. This old guy was quite a character. Photo circa 1900.

Johnson takes us on a tour of England as it was, and he lets the people tell their own stories. How does a small town pensioner spend his days when he has nothing else to do? What does the daily schedule of a farmhand look like? What birds sing in the wood? He speaks of cricket and hotel visits, market days and mansions.

As both a photographer and a writer, Johnson brings to life the small village and the town inn (or pub). In describing traveling show caravans with their steam-powered merry-go-rounds and game booths, you want to see them yourself. He explores castles and manors, Stonehenge and churches.

Explore England with the Author

As we read his book from over 100 years on, a reader might find some of his observations intriguing. He writes of the change from oxen-drawn plows to horse-drawn plows. Then he mentions the noise created by the newfangled steam powered farm machinery. He also talks about the manpower necessary to make it go. “They are formidable affairs, and it takes five men to make a working crew.” (p.76).

Once in a while you may stumble across a passage or even a chapter that you find offensive or strange. For instance, Johnson spends an entire short chapter discussing his observations of “Gypsies.” For part of his description he relates what he has heard, but it seems that this colors his description of what he sees soon after. However, the chapter ends well. He follows a family for a bit and watches the children at play as they ride in the wagon or scamper along beside.

In a later chapter, however, Johnson provides an almost glowing description of a Traveler family who appear at a market day and sell rides to the local children. He even refers to their conveyance as a “travelling caravan.” Earlier he mentions that caravans often transport families who perform at fairs, which would make them Showman Travellers.

It’s worth noting, however, that Johnson repeats what he hears. His goal is to write down an oral history of a place, whether it is correct or not. At one point he talks to hand mowers –– men who cut hay with a scythe –– and they tell him that the day of machine grass cutters is over; more and more the hay will be cut by hand. A quick YouTube search will show you that such did not prove to be true.

Delights of the Village Fair

At one point Johnson finds himself at a festival. He says:

“But the great feature of the fair was the roundabouts or merry-go-rounds. About a dozen of them were in operation that day in Lincoln pleasure fair, and they were all as gaudy with red and gold as it was possible to make them. They ran by steam power, and the engine inside each roundabout had a steam organ attached, and every organ was piping away at a furious rate on a tune that was distressingly unlike the tunes of any of its rivals.”

Among English Hedgerows, Chapter XI.

By the time Johnson attended the fair in about 1900, steam-powered merry-go-rounds had been delighting English fair-goers for close to 40 years. However, reading it today, I was taken by this description. Imagine the noise! Between the sound of the steam engines, plus the various tunes played at once, and adding the crowd, this must have presented quite the scene.

Among English Hedgerows is a travelogue that leads you up and down the narrow lanes of English villages. It brings you into country kitchens and alongside farmers. Johnson reveals both the charm of their inhabitants as well as their sometimes narrow views.

Note: I did find mention of a suicide as I read the book. If this bothers you, skip the bottom of page 34 through page 38, and resume reading on page 39.

To read Among English Hedgerows for yourself, click here, which takes you to a Google Books version you can read or download.

If you prefer something quick and easy and fictional, take a look at this post I wrote about The Motor Maids School Days, one of my favorite vintage juvenile fiction reads ever.

Vintage Entertainment

The Sheik: A 1921 Blockbuster Movie

Rudolph Valentino stares ahead of him in The Sheik, a 1921 blockbuster silent film.
Rudolph Valentino as Ahmed Ben Hassan in The Sheik

As often as it appears in cultural references, I had never seen Rudolph Valentino in The Sheik. This 1921 silent movie truly turned into a blockbuster film. It grossed over one million dollars in ticket sales in 1921. Not a bad return for a movie that cost $200,000 to make. It was touted in the newspapers as a wildly popular film after its opening in October. And this was only Valentino’s second film. By 1926 he would be dead.

A Man, a Woman, a Second Man, a Romance!

The Sheik is classified as a desert romance. This romance genre knew popularity in the past, but its fashionableness waned by 1919 and apparently needed a revival. Enter The Sheik. The movie’s action takes place in the deserts of Algeria and in the town of Biskra. (In real life, Biskra is a capital city of Algeria.) Headstrong Lady Diana Mayo determines to travel by herself over the desert. However, she fails to reckon on Ahmed Ben Hassan. She meets Hassan, the Sheik, fleetingly before she leaves Biskra and he decides that she is the one for him.

You can imagine how the rest of the story plays out. (Or, if you can’t, maybe spending an hour and a half watching the movie would prove an interesting time.) There’s a Sheik, a Lady, a Doctor, and a cast of servants and followers.

Actress Agnes Ayres plays Lady Diana Mayo in The Sheik, a 1921 blockbuster silent film.
The lovely Agnes Ayres plays Lady Diana Mayo in The Sheik.

One of the marvelous aspects of modern technology is that you can bring vintage arts easily into your life. You don’t have to wait for a Twenties revival at your nearest retro movie house, if you even have one of those nearby. You can dip into vintage life and culture any time you like. Thanks to sites like YouTube and the Internet Archive, surviving silent movies like The Sheik are only a quick click away. A click on either highlighted link takes you directly to The Sheik, a 1921 blockbuster silent movie.

Cultural Context and The Sheik

Does the movie have cultural issues? Of course it does. First of all, it was made in 1921, during a time when viewers regarded anything outside industrialized city or rural town life as exotic. Second, don’t expect this movie to present Algeria in any realistic way. This is a fantasy, borne of the author’s memories of living in Algeria as a small child in the 1890s. You will see that clearly in one of the early scenes that present two cultured British characters discussing Lady Diana’s escapades. In addition, this is the Algeria of colonialism, and you will note references made to the French language throughout the film. The French governed Algeria from 1830 until the 1960s. Therefore, anyone watching this movie in 1921 would experience no surprise that many of the characters speak French. Of course they spoke French. It was French Algeria in 1921.

If You Want to Read the Book

The movie was adapted from a book by E. M. Hull. Edith Maud Hull was a British author, and The Sheik was her first book. Several other romances followed it, but The Sheik remains her best known work. Wildly popular when it was published, the book sold millions of copies. Read it here, at Project Gutenberg.

The Vintage Bookshelf

The Campfire Girls in the Maine Woods

Book cover image showing two girls at a campsite. They are carrying water and washing dishes. Two tents stand in the background and another woman tends a cookfire in front of the tents.

Subtitled or the Winnebagos Go Camping, this book is a young adult classic gem from 1916. The Campfire Girls in the Maine Woods, as the first of a ten-book series, tells about a small Camp Fire Girls group and their experiences camping together for the summer. The high school age girls share two tents, cook their own food, and design pageants. They gather round the Council Fire, hone new skills, and face adversity. Most of all, though, they form a strong community. They work together and come out stronger the other side.

Sahwah the swimmer, Hinpoha the curly-haired, and Migwan the writer gather with Chapa the chipmunk, Medmangi the medic, and Nakwisi the star maiden at a primitive camp in Maine. By the time we meet them they are seasoned Camp Fire girls and ready to meet the challenges of a summer away from home. They welcome Gladys, a city girl who feels much more comfortable in a dressmaker’s shop than she does in a tent. Through the summer several of them change as they progress through injuries, moments of bravery, and even thoughtlessness.

Their group leader, or Guardian, is also one of the teachers at the high school all of them attend, save Gladys, who attends private schools away from Cleveland during the year. The girls call her Nyoda. With a unique blend of care and wisdom Nyoda guides the girls through misunderstandings, skirmishes, and the occasional temper flare.

The Camp Fire Girls

The Camp Fire Girls movement started in 1910 as an attempt to get girls outdoors into nature, moving, and learning new skills. Boys participated in camping trips, and boys experienced the wonders of nature. Boys did things in 1910. The Camp Fire Girls organizers, Dr. Luther Halsey Gulick and Charlotte Vetter Gulick, believed that girls could do the same things. And so did many girls.

Girls watched their brothers go camping with the Boy Scouts while they stayed home. Cooking over an open fire sounded a lot more interesting than helping with the housework. And the Gulicks and some friends came to the rescue. They needed a framework that would hold the program together, and they decided that Native American culture and lore was just the thing. Of course, they could have also chosen Irish fairies, ancient Egypt, or varieties of owls. But Native American symbolism put an emphasis on nature as important and worth stewarding. Instead of badges, the girls worked for honors. An honor could be awarded for skill in home craft, health craft, camp craft, hand craft, nature lore, business, or patriotism.

Camp Fire Girls was the most inclusive organzation for girls available in its time. Any girl, from anywhere, could join and participate in the Camp Fire Girls.

I first read these in etext form and I loved them so much I found original hardbound copies of the entire series. It took me seven years, but I located them all.

Current culture, 1916 style

The Campfire Girls in the Maine Woods contains some current cultural references. For example, while a visiting professor watches one of the girls dive into the water, he comments ‘She’s a regular Annette Kellerman!’ This is a reference to the star of a 1914 Australian movie called Neptune’s Daughter. The movie is extant in tiny pieces, but not as a whole. This five-minute clip shows off Annette’s diving abilities.

Other phrases and concepts remind readers that the story is vintage. The girls dress in middys and bloomers, the athletic uniform of 1914-1930. Outdated terms appear occasionally.

Many “Campfire Girls” books were published between 1912 and 1936 by more than ten different publishers. Most of the ones I’ve attempted to read are, frankly, awful. The books by Hildegard Frey shine in comparison. These are the only Campfire Girls books that were endorsed by the Camp Fire Girls Association when they were published. And with good reason, because this book leads the reader into the culture of the club rather than attempting to tell a story about characters named Campfire Ann and Campfire Nan. (I made those names up, but you get the idea.)

Who was Hildegard G. Frey?

Hildegard G. Frey, also known as Hildegarde Gertrude Frey, lived in Cleveland, Ohio her entire life. It makes sense that she set her books there. Born in 1891, she started writing the Campfire Girls books in her twenties. She wrote ten Campfire Girls books which were published between 1916 and 1920, and then she stopped writing. The Campfire Girls books were the only ones she ever wrote. In 1930 she was working as a cartoonist for an advertising agency.

Writing the books between age 24 and 28 gives them a unique perspective for stories of the time. Hildegard never talked down to her younger readers, and she didn’t lecture them. She simply told her story of six campers, a new addition, and their leader.

Hildegard G. Frey died at the age of 65 on May 8, 1957, and is buried in Cleveland. In the 1940 census she is listed as living with her father in the family home.

Get Your Copy

How can you read this book for yourself? Download it from Project Gutenberg or Google Books.

Music and Song · Parties and Visits · Vintage Entertainment

Add the Foxtrot to Your Dance Routine

Two Twenties couples dance the foxtrot. Pencil sketch of head and shoulders.

If you only learn one dance from the Twenties, make it the foxtrot. It’s simple, it offers lots of variety, and it goes with everything. (Kind of like that little black dress or your favorite tux). Adding the foxtrot to your dance routine helps you glide through a Twenties party.

Because of the dance’s popularity, almost every song in 4/4 time billed itself as a foxtrot. Some were slow and others fast, but as long as the beat is correct you can foxtrot to it all. Marking “a new foxtrot” on the front of sheet music guaranteed some sales. Piano players often wanted to provide danceable music for evening guests. Foxtrot also guaranteed that you wouldn’t go home with a dirge. It also labeled the song as current with the times, since everyone was dancing the foxtrot. (At least, it seems that way from the music that survives.)

Learn to Dance the Foxtrot Online

This Youtube video shows many different ways the foxtrot appeared through the Twenties. In a little over six minutes you can see the basics as well as some fancy foxtrot footwork, all from vintage clips.

Long, long, short-short… long, long, short-short. This step sequence helps to create the signature swaying movement that characterizes the foxtrot. However, you can start by simply taking one step after another: walk, walk, walk, walk. This video playlist shows you the basics and beyond, in 26 very short clips from the Sway Ballroom Dance studio.

If you need to learn to foxtrot in a very small space, try this video. In it a dance instructor leads you through a slow foxtrot in a very tight living room.

On the other hand, if you prefer more traditional instruction, this introduction by May I Have This Dance takes you from the beginning to a foxtrot promenade that glides you around the room.

Adding the foxtrot to your dance routine means you never have to sit along the wall at a Twenties dance party. Whether you gather with a few close friends for dinner and dancing at home, or attend a Twenties bash at a large venue, you will be well prepared with a good foxtrot. And if you’d like a few songs to trot to, you might want to check out this post on Twenties music hits.

Music and Song · Vintage Entertainment

Music Hits of the Twenties: 1921

1921 Victrola phonograph advertisement. Victrola sits in a room next to curtained windows and a low table.
A popular 1921 Victrola model that sold for $150.

How did people listen to the music hits of 1921? Only city dwellers listened to the hits on a radio station in the early Twenties. Unless, that is, an enterprising youngster in the household fell in love with radio and rigged up her own wireless for everyone to enjoy. Even then, only one person could use wireless headphones at a time.

If you wanted to actually listen to music in 1921, the phonograph was your best bet. With a phonograph and a stack of recorded disks (what we today call a record player and records), an owner could listen to classical, popular music, or opera. However, a phonograph could be expensive. In 1921 a Victrola cost a purchaser anywhere between $25 and $1500. Victrola advertised heavily, and they became a household name in phonographs.

If you didn’t have a phonograph or a wireless, several options existed. Most people consumed their music via the piano. Companies produced sheet music for all the hits (and some not-so-hits) and you bought it at the local store. Sometimes you found sheet music in a sheet music store, but by the Twenties you increasingly found it at your corner general store. If the store carried many miscellaneous items, it probably also carried sheet music.

Some of the Year’s Greatest Hits

This year we listened to Marian Harris sing I’m a Jazz Vampire. Here are the lyrics. This song shows all kinds of promise for inclusion in Twenties-themed parties through the year.

Paul Whiteman, who called himself the King of Jazz, scored yet another hit with an Irving Berlin melody, Everybody Step. This foxtrot appeared in a 22-scene stage production called Irving Berlin’s Music Box Revue. The Music Box Revue opened at the Music Box Theatre in October of 1922 and ran for nine months. Irving wrote the music.

Eddie Cantor sang “I’ll tell the world I love you, Don’t forget your promise to me, I have bought the home and ring and everything” in Margie. This site offers lyrics and a little more about the song and its creators. Even if you don’t follow 1920s music, Margie is a song you may recognize when you hear it.

Ain’t we got fun?

Ain’t We Got Fun? was featured in the musical revue Satires of 1920, which opened in California in August of 1920. After that this foxtrot took on a life of its own, appearing in vaudeville, on various artists’ recordings, and even appears in F. Scott Fitzgerald’s The Great Gatsby. The song takes a devil-may-care look at a life of poverty, with lyrics like:
Landlords mad and getting madder
Ain’t we got fun?
Times are so bad and getting badder
Still we have fun
There’s nothing surer
The rich get rich and the poor get laid off
In the meantime, in between time
Ain’t we got fun?

And a chat about 1921 music wouldn’t be complete without that timeless gem, I’m Just Wild About Harry. This song is part of almost every 1920s revival. “He’s sweet, just like chocolate candy/ And just like the honey from the bee./ Oh, I’m just wild about Harry/ And he’s just wild about/ Cannot live without/ He’s just wild about me!

So the next time you want to trot or jitter or sway to the hits of the Twenties, give some of these a try. You also might be interested in an earlier post where I talk about about vintage Forties music and how to locate it online.

The Vintage Bookshelf

Motor Maids School Days

Bille Campbell is an individual. The year is 1911 and in Motor Maids School Days she decides to attend school for the year in West Haven, since her father will be working in Russia for the year and she is motherless. She stays with an elder cousin, Helen Campbell. Spinster Helen acts as both chaperone and guide to Billie. West Haven is a seaside town, filled with seaports, strange people, and high school hijinks. Fifteen year old Billie drives up to the school in her own bright red motorcar, which becomes the centerpiece for many adventures to come.

Frontspiece illustration of Motor Maids School Days, 1911. One girl sits in a window while another one stands facing her. The standing girl says "You will simply become an outcast in West Haven, and I advise you to think the matter over."

This book is the first in the very short Motor Maids series for teen girls. My copy belonged to my grandmother, and she loved it enough after receiving it sometime around age fourteen to keep it for the next 65 years.

Turn of the Century Culture

And there’s a lot to love with this book. To begin with, it starts off a six-book series which leads the Motor Maids far away from the sleepy seaport town of West Haven. Motor Maids School Days is a look into the culture of the early 1900s. Yes, it’s fiction. But it also tackles topics that most of us only read about in passing. Or those cultural artifacts we see in an old photo and wonder what happened.

For one thing, the book explains high school girls’ clubs. The high school sophomore class of girls at West Haven High School is divided into two groups: The Mystic Seven and the Blue Birds. The Blue Birds consists of all the girls not in the Mystic Seven. Seventeen of the girls join the Blue Birds. Reading carefully shows the ebb and flow of interaction between the two clubs, as the book talks about get-togethers, outings, and overnights.

Class systems

School Days also talks a lot about the class system of 1900 – 1915. Some families are in, and others are out – merely based on their financial position within the town. It contains characters who are “haves” as well as those who are “have nots,” and weaves them nicely through the pages of the novel. Sometimes you feel like you get to know supporting characters better than you do the protagonist Billie. Elinor Butler introduces us to her seafaring family, and Mary Price shows us life with her mother’s tearoom.

You also read about vintage fashion and how it reflected social status. For someone fascinated by the fashions of 1910-1915, this could be worth reading the book on its own. Ulsters, veils, wraps, and dresses all take their place as part of the story.

Wrapped up in all this vintage detail you discover a mystery. Billie and her friends find themselves involved in a bizarre cat and mouse game, avoiding people whose names they don’t know as they attempt to unravel the threads that lead to an answer.

Signs of the Times

Because the book appeared in 1911, it contains outdated terms and ideas. One of the girls in the story is overweight, and although she appears in several of the stories and is a general favorite of everyone, they still tease her. Even though West Haven sits as a port town, with ships arriving with cargo from everywhere, some of the visiting characters have unflattering descriptions. These serve to increase suspense in the novel, and perhaps that is how they were intended, but at times they seem odd, especially on this fourth or fifth reading of the novel. And of course, because of the time period, servants are sometimes identified by race.

Who was Katherine Stokes?

Also a sign of the times, a lengthy search turned up nothing about the author. The book’s publisher, Hurst & Company, specialized in series books by the time the Motor Maids books released, and the company folded in 1919. If Hurst managed to stay in business, we might have even more Motor Maids books to read. Katherine Stokes, the author, appears nowhere. Only six books carry her name in any search and these are the Motor Maids books. Katherine may have been a pen name for an author or committee that churned out series books.

With absolutely no evidence to support this, I also suggest that she may have been a real person. Katherine Stokes might have taught seventh grade in Hartford, Connecticut. A Katherine Stokes appears in the Hartford school listings for the years before and after the Motor Maids books were published. A seventh grade teacher stood in a perfect position to write a series about independent teenagers. This Katherine was single, and she rented rooms and houses through this entire period, so she probably had the time to devote to constructing six books. This, however, is complete conjecture. If anyone has information on Katherine Stokes the author, I would love to know her story.

Cover of Motor Maids School Days, 1911.

Get Your Copy

You too can read Motor Maids School Days. One of the great things about these older books is that they are freely available. This bodes well for readers who love turn of the century fiction. You can download a copy from the Internet Archive here, or you can download it or read it online at Project Gutenberg, here. Download a free Kindle version from Amazon. Amazon also sells reprints. If you want an original 1911 copy, and your grandmother or great-grandmother doesn’t have one, try eBay.

The Vintage Bookshelf

Fred Astaire on Himself

My bookshelves are filled with vintage books. Cookbooks, novels, histories, even science. Yes, I know much of the science material is outdated. Looking up current progress is half the fun. Reading these older books gives me a unique perspective on yesteryear. 

I want to introduce the books that sit on The Vintage Bookshelf, but I want to make sure they are available to you. It’s no fun reading about a book you can’t get your hands on to enjoy yourself. Some of the books in this series will be available in hard copy, through a retailer like Amazon. Others might be available in digital format through an online library like The Internet Archive. 

Steps in Time

Photo of book Steps in Time by Fred Astaire, sitting on cutwork embroidered linen. Steps in Time is Astaire's autobiography.
Fred Astaire’s autobiography, Steps in Time, from 1959.

This month I’ve been reading Steps in Time, an autobiography by Fred Astaire. And it is an autobiography – it details Astaire’s opinions on everything! Through it, though, you glean a great understanding of vaudeville. And what those years were like from someone who grew up on the stage. Later, when live theatre blossomed and vaudeville waned, Astaire details that transition as well. You read about the ups and downs of performing live in the early to mid 1900s. 


The story goes that one time when I had gone with my mother to fetch [my sister] Adele, I put on a pair of ballet slippers. I found them in a corner while I was dawdling around the place, killing time, waiting for Adele to finish her lesson. I had seen other children walk on their toes, so I put on the slippers and walked on my toes. It was as simple as that.

Steps in Time, p. 11.

To be fully honest, I’m re-reading the book. I first read it as a young teen, and I was entranced. The only quote I remembered from it, though was Astaire’s daughter Ava’s comment about titling the book itself. She said, “I know! Call it With No Hair on My Head!” How to find a book that I only know the author and one quote? Internet to the rescue! And the book was just as delightful a read this time. 

Steps in Time details Astaire’s time working with George Gershwin… and Ginger Rogers. His time with Bing Crosby… and Noel Coward. He talks about the actors, dancers, and comedians he met in vaudeville… and then expresses his delight at working with their children on the movie set years later. He describes his experiences with golf courses, racehorses, and family — the three loves of his life apart from acting and dancing. 

In a way, this book too is a performance. Astaire glosses over the stock market crash of ’29, which actually affected him substantially (to the tune of losing about $75,000, equivalent to over a 1 million dollar loss today). He doesn’t mention any troubles with payments or much else that would mar the flow of a good showbiz story.

Taking it Further

Thanks to the wonders of the Internet, you can see and hear material from some of Fred and Adele’s earliest shows.

  • Apple Blossoms, their 1919 vaudeville operetta, is the most available. You can read both the book (the story/spoken parts of the play) and see the songs and lyrics in sheet music form.
  • Listen to Fred and his sister Adele sing “Oh Gee Oh Gosh Oh Golly“, from For Goodness Sake/Stop Flirting in 1922/23.
  • Fred and Adele Astaire singing “The Babbit and The Bromide” from Funny Face in 1927. 
  • And although neither Astaire is on this recording, 1931’s The Band Wagon was Adele’s last show. This recording is called Gems from The Band Wagon.

Signs of the Times

The book dates from 1959. Before the civil rights movement of the 60s. Keep that in mind as you read, because once in a while a word or term turns up that today we would find offensive. 

Because it was published nearly 30 years before Astaire died, the book does not cover any details from his later life. Even so, he found enough to fill 338 pages with events from 1904-1958, which is no small feat in itself. His life was very busy, and it was quite full. 

If you read an updated edition, you’ll find a forward by Ginger Rogers that refutes one or two of Fred Astaire’s comments about her. The book should be easy to locate at a local library or on Amazon, in both the 1959 and later editions. 

Vintage Entertainment

Tuning into the Forties

Where do you look for music from the Forties? Thankfully, the tunes from the wartime years were popular enough that they find airplay in various places. Whether you want to access music through your computer, an app on your phone, or even an Amazon Alexa device, you’ll be swinging in no time.

When I clean, create, or cook, I sometimes like to listen to music. Songs from the Twenties, Thirties, Forties, and Fifties get me moving. They turn my time into productive play as I sing to the timeless tunes or dance around the kitchen.

Red and green vintage radios sit silent on a shelf among other less colorful specimens.
You could be listening to wartime music on one of these.

1940s Radio, UK Style

Often I want to turn on a radio station and listen to the music without fiddling with my computer to restart various playlists. On those days I turn to The UK 1940s Radio Station. Each day, the station presents a full roster of programs featuring music from the Twenties through the Forties. Most of the time, due to the time difference between the UK and the US, I find myself tuning into From Stateside. Jay Lawrence broadcasts From Stateside from his “underground bunker” on the East Coast of the US, and each program features discussion and music from a “current” movie, radio show clips, and popular music of the era.

If you have an Alexa device in your home, you can listen to UK 1940s Radio directly. Currently, Alexa responds in one of two ways. Tell Alexa to play The UK 1940s Radio Station. If that doesn’t work (and it doesn’t work for me), tell Alexa to play TuneIn Radio. She will then ask you which station you want. Then tell her UK 1940s Radio, and it should link through TuneIn.

At our house, we have Alexa hooked up through our thermostat. (Don’t ask. It’s a convoluted story.) You should see the looks that guests give us when they hear 1940s music and radio shows coming from the thermostat! The glances and comments are worth the oddity of talking to the thermostat every day.

The UK 1940s Radio runs on advertising and donations, and it costs £400 to keep the station on the air each month. That’s about $520 USD, give or take a bit for exchange rate fluxuations. If you love what they do, consider donating a few dollars to keep it on the air. They take donations through PayPal.

With YouTube You Can Sing for Hours

If you feel like browsing, you can search Youtube.com using the term Forties Music Playlist. The search will give you lots to choose from. Want something catchy right now? Listen to over an hour of music with the G.I. Jive collection. Or, if you have more time, you can spend two hours with The Songs and Music of WWII list and lose yourself in Big Band hits and popular tunes.

Also on Youtube, you can listen to three hours of 40s Big Band, Jazz, and Swing with the Deep Jazz channel’s compilation. And if the country music of the 1940s makes your heart sing, check out this list of hits.

Spot Vintage Music on Spotify

Spotify has lots of options for Forties music. In addition to listener-created playlists, Spotify offers a couple channels on its own. Nestled under Artists, two selections look promising: 1040s Music and Music of the 1940s. If you get tired of these, do give some of the listener-created playlists a try. They range from 1940s jazz to a mix of news clips and music called ::London: Swingin’ the Blitz//1940s Radio Hour::.

So whether you want to cut a rug in the kitchen or belt out a beloved tune in the sitting room, you’ll find plenty to peruse in the preceding paragraphs.

Gluten Free Adaptations · Parties and Visits · The Vintage Kitchen

The Original Chex Mix Recipe

Many of us have been eating Chex Mix since we could walk. We swiped a handful from the bowl as we strode past the party table at holidays. We hoarded those little bags in the back of the pantry when they went on sale. And maybe we even happily made Chex Mix from the “Original Recipe” … you know, the one that calls for 8 cups of cereal and a gallon zip-top freezer bag.

Except, that’s not the original recipe.

Awhile back, I scrounged around looking for the Original Chex Mix Recipe. And I found several interesting things.

Here’s the recipe from Chex.com. It calls for bagel chips, which were added to the recipe after Chex began selling bagged prepared mix in 1985. They call it the original mix. https://www.chex.com/recipes/original-chex-mix/

In the early 90s I found a recipe for Chex Mix that I jealously guarded and made every year with pride. It was The Original Chex Mix Recipe. After all, that’s what the card said. I believed it. At least, I believed it then. This had to be The One. Only, it wasn’t.

Chex mix recipe on card, calling for 8 cups of cereal, 1 cup nuts and 1 cup pretzels.
Chex Mix recipe card, stained from use, clipped from a cereal box in 1994.

The Party Mix

Actually, snack mix recipes have been really popular since cocktail parties in the 1950s. Every respectable cookbook offered at least one party mix recipe, sometimes more. Ususally called something like “Party Mix,” they were easy to locate, easy to stir up in advance of a hoarde of guests invading your house before sundown, and most people seemed to love them. In any event, they appeared in cookbooks throughout the 50s and 60s, and every host or hostess seemed to have their own favorite recipe. Snack mix was an easy, affordable entertaining recipe after the food rationing of World War II. A crunchy cereal or two, some nuts, a few spices, and you have a party treat.

In an attempt to jump on the party wagon, and to sell more cereal, Ralston Purina (yes, the Puppy Chow people) tried to come up with recipes to sell more of their Chex. In April of 1952 they published an ad suggesting that Chex would taste great when stirred into your favorite fudge recipe. Or maybe the trick was sandwiching a slice of Vienna sausage between two Chex squares, speared onto a toothpick for easy eating.

Original Chex Mix recipe from 1952 advertisement. Shows a photo of the party mix, a corner of a box of Chex, and the recipe itself.
When Life magazine published this recipe for Chex Mix, they had no idea they were making culinary history.

Later in April, Ralston tried again. This time the ad printed a recipe for popcorn balls, but with Rice Chex as the popcorn substitute. The other recipe on the same page suggested mixing up some Cheese Chex: Melt in skillet 1/2 Tablespoon butter. Add 1 cup Wheat Chex, 1/2 teaspoon salt, and stir until hot. Sprinkle with 1/4 cup grated Parmesan or Cheddar cheese, and stir until all pieces are coated. Now we’re getting somewhere! This one sounds almost tasty.

When Life magazine published the new Ralston ad on June 16, 1952, they had no idea they were making snack food history. The ad touted a new Party Mix. It was a while before the mixture became known as Chex Mix.

Gluten Free Options

Sometimes you have to tweak older recipes for new allergies and intolerances. When I realized I needed to change to gluten free food, Chex Mix became one of my first workarounds. If you believe the Gluten Free label on the box, then you can make the snack mix using extra Rice or Corn Chex and omitting the Wheat Chex entirely. If you are celiac, and absolutely need 100% gluten free all the time, substitute the Chex with one of the square or hexagon gluten free corn or rice cereals you probably already know and use. The original recipe calls for “nuts.” If you cannot tolerate nuts, change them out for something else (like sunflower seeds) or use none at all. Personally, I like it best without nuts, but I’m a bit strange that way.

The true Original Recipe

The first Chex Party Mix recipe contained no Cheerios (unlike many of the party mixes of the time), no bagel chips, no pretzels, and no seasoned salt. I know! Heresy! But if you mix up a batch of this mix, you’ll taste the true flavor of the 1950s party table. And you might find that you like it better.

The original recipe calls for 1/3 cup butter, 1 Tablespoon Worcestershire sauce, 2 cups Wheat Chex, 2 cups Rice Chex, 1/2 cup nuts, 1/4 teaspoon salt, and 1/8 teaspoon garlic salt. Melt the butter in a baking pan, and mix in the Worcestershire sauce, Chex cereals, and nuts. Sprinkle with the salt and garlic salt, and then roast in the oven at 300 degrees for 30 minutes, stirring every 10 minutes.

Yes, this makes a tiny amount. After stirring together 8-9 cups of cereal, plus a cup of nuts, a cup of pretzels, and so on, a four cup batch seems hardly worth the effort. But it cooks in half the time, and it was designed for one party or one evening, not a week’s worth of Chex Mix in a large container in the pantry. This small recipe was probably designed to serve 8 people. The ad doesn’t say.

Give the Original Chex Mix recipe a try, and see what you think. Is it better than the taste you’re used to? Do you like the smaller portion size? I’ll be talking a lot about portion sizes at Vintage Living, Modern Life. They are a key to vintage cooking.